Come and See (1985) is one of those films that doesn’t feel like it’s telling a story as much as it’s forcing you to live through an experience. It follows a young boy in Nazi-occupied Belarus, and instead of heroic moments or dramatic speeches, the film focuses on fear, confusion, and the slow destruction of innocence. The camera often stays uncomfortably close to his face, letting the horror sink in without explanation or relief. There’s no emotional release here, no clear lesson spelled out,